Harvests 2016 all done

Another year, and once again all the grapes are in. My last harvest was the Malvar on Monday 10^th October.  And not a moment too soon! Because after a long, long, hot, endless summer with zero rainfall, it stated raining heavily and properly all over Spain on Wed 12^th! Ha! So I’ll have to find something else to complain about, as viticultural tradition demands J

I did a total of 15 harvests this year, in 15 different plots, for a total of 15 different wines:

1.      Albillo (Charco)

2.      Albillo (Fx)

3.      Garnacha (Charco)

4.      Doré (Fx)

5.      Doré (Pp)

6.      Sauvignon Blanc (Qx)

7.      Tempranillo (TET-A)

8.      Garnacha (Castañar)

9.      Garnacha (Dehesa)

10.   Garnacha (McCarb)

11.   Chelva (Early)

12.   Villanueva

13.   Chelva (Late)

14.   Airén (Carabaña)

15.   Malvar (Villarejo)

That’s 2 red varieties (Garnacha and Tempranillo) and 7 white varieties (Albillo, Doré, Sauv, blanc, Chelva, Villanueva, Airén and Malvar).

I vinify each plot separately even if it’s the same variety, because it’s more interesting that way. It’s amazing how different the wines are, even if the plots are close together and the winemaking techniques are the same. For example, in El Tiemblo (Sierra de Gredos) the Garnacha Castañar plot is only about 1 km away from the Garnacha Dehesa plot as the crow flies, but the grapes and wines are totally different.

The novelty this year is a variety called Villanueva. It’s not uncommon in the area but it’s usually just a few vines interspersed among another predominant white variety. But by chance a local grower, who has an entire vineyard planted to Villanueva, came by the winery one day to offer them to me. ‘Why not?’ I thought. It’s a rather tiny plot, and there was only 150 kg. So I crushed them and pressed them and let the must ferment in small tinaja – in tinaja because it was the only container small enough available at the time!

All the rest I’ve done before, and am following the line of ‘If it ain’t broke, don’t fix it’! That’s to say that for all of the wines listed above, I followed (am following) the same techniques that have worked for me in the past, with regard to decisions on type of container (steel tank, wooden barrel, clay tinaja), maceration times if any, with or without stems, etc.

The only crazy experiment I’ve done this year is to follow a recipe I read in Pliny the Elder’s ‘Natural History, Book 14, Chapter 12. I followed the first recipe of the three he gives. So I guess I’ve made (am making) a beverage called ‘deuteria’ by the ancient Greeks and ‘lora’ by the ancient Romans. This is the stuff that was quaffed by slaves and labourers. The original glou-glou wine?

Following are some assorted photos, from over the summer:

 

View of the Albillo (Charco) vineyard, with the Alberche river in the background.
El Tiemblo, Sierra de Gredos

Bird's eye view of Albillo macerating

Bottling machine

My Garnacha vineyard using no chemicals, next to a naked agro-chemical wasteland vineyard!

Bottling up

At a wine fair

Sheep in the Garnacha vineyard, eating weeds and dropping caca!

Sheep entering

Living soil, for healthy vines

My pet nat exploding on me! Too much pressure!

My Chelva vineyard, surrounded by the houses of El Tiemblo village

In another Garnacha vineyard, steep, in El Tiemblo, Sierra de Gredos

Bottling up!

And to finish off, a note on the word “sapid”

I generally find it impossible to have decent in-depth discussion on FB or other social media sites. And a few weeks ago, I found myself feeling frustrated because I couldn’t say what I wanted to say! I think that FB and other sites are just not the right place for a proper discussion or debate: basically, they all tend to favour spur-of-the moment, shooting-from-the-hip type comments, right there and then, whenever you happen to come across an interesting post that you feel like commenting on. There’s just no time to think before typing! Apart from wine, I also like words, so I was doubly affected!

This had been annoying me for days, so I decided to do something about it. After searching on the internet and after doing a bit of ‘due diligence’, I’ve come to the conclusion that it’s not a very useful word to use in written wine-tasting notes or while speaking live to an audience. The due diligence consisted in asking native-English-speakers, uncontaminated by knowledge of a foreign language, if they knew what ‘sapid’ meant. Not one did! English-speakers who know a Latin language would know ‘sapido’ (It, Sp, Pt) or ‘sapide’ (Fr) where it’s quite a common word for everyday use and just make the connection.

Firstly it’s not a very common word at all in English (see here, this is just one of many word-frequency sites) and so it’s not likely that the readers/audience would understand what it means. This may depend on the level of knowledge/culture of the audience though, so an audience of hardened winelovers may have come across it before. But still!

Secondly, once you discover the meaning of ‘sapid’, you also discover how useless it is, for it means “having flavour” “tasty”. Which covers just about every edible/drinkable substance in existence, except for water!

I suppose that a slight degree of usefulness might be attained if a bit of common sense is applied by the reader/listener, ie by assuming that the writer/speaker really means ‘very’ or ‘extra’ flavourful/tasty. But then why bother with ‘sapid’ at all? Why not just say ‘very/extra tasty/flavourful’ and make life easier for your readers/listeners, who are after all reading/listening to you with a view to learning something about wine! But then again, maybe they would enjoy learning a new word? Or are happy to be introduced to the secret and occult world of wine-tasting? Or would they hate wine forever on account of the arcane vocabulary used?

Well, whatever. Anyway, I feel a lot better, now that I’ve got that off my chest.  J

Natural Wine fair in Madrid (and other ramblings)

Yes, incredible but true!  There's going to be a mini-natural wine fair held in Madrid this coming Sunday 10th May 2015. I say 'incredible' because it's been many years, if not decades, that natural wines have been produced, sold and drunk around the world, but the phenomenon seems to have passed Spain by. But mustn't complain! It's going to be a great event, and great fun shall be had by all :)

Save the date and the place, which is very conveniently very central and right next to Atocha train station:

Here's the list of the producers:

– Alexandre Coulange – Domaine Thuronis – Languedoc
– Jacques Broustet – Chateau Lamery – Burdeos
– Nacho González – La Perdida – Valdeorras
– Bárbara Magugliani y Joan Carles Torres – Can Torres – Ampurdán
– Manel Rodríguez – Wiss – Montsant
– Marcel Carrera y Ramón Viña – Vinya Ferrer – Terra Alta
– Miguel J. Márquez – Dagón – Valencia
– Rafa López – Sexto Elemento – Valencia
– Fabio Bartolomei – Ambiz – Madrid
– Julián Ruiz – Esencia Rural – Toledo
– Samuel Cano – Patio – Cuenca
– Juan Pascual López – Viña Enebro – Murcia
– Jose Miguel Márquez – Marenas – Montilla
– Ramón Saavedra – Cauzón – Granada
– Torcuato Huertas – Purulio – Granada
– Manuel y Lorenzo Valenzuela – Barranco Oscuro – Granada

And you'll be able to taste the wines of:

– Domaine Meyer – Alsacia
– Patrick Bouju – Auvernia
– Costadilá – Veneto
– Frank Cornelissen – Sicilia

Only €5 to get in, and you get to keep the glass! A bargain at twice the price :)

Other Ramblings

Well, I've been incredibly busy lately and amongst other things I managed to plant about 200 new Tempranillo vines in the Carabaña vineyard in the empty spaces where the vines were missing for some reason or other.

Here's a panoramic view of the vineyard from a few days ago. Note the grass just starting to grow, and the tubes protecting the newly planted vines:

Panoramic view of Carabaña vineyard

 And here's a view from the top! See the cane for the young vine to grasp onto, and you can just see the tiny vine at the bottom:

Bird's eye view!

I also managed to hoe up around about 30 vines or so, before my back said 'enough'!

Hi hoe, hi hoe, it's off to work I go!

Meanwhile, back at the bodega, I finally got round to bringing a barrica of Tempranillo 2010 from the previous bodega I was working out of, in Morata de Tajuña, two years ago(!) to my current bodega in El Tiemblo.

Due to the fact that a full barrica weighs about 275 kg, and in a not very accessible position, what I had to do was: pump the wine out of the barrica into a steel tank in the back of a van, load the empty barrica, drive to El Tiemblo, and then pump the wine back into the unloaded and palletized barrica:

Pumping Tempranillo back into its barrica

I also finally got round to tidying up the patio of the bodega a little bit. Here you can see the space next to the wall that used to be covered with brambles, which I had left alone on purpose last year, in the hope of harvesting some brambles! But there were hardly any to be had, so I uprooted the lot. Pending for May is the planting of some roses or other climbing plants that will help prettify that enormous blank wall!

Here below you can just make out the tiny plants of lettuce, tomato, onions, etc:

 And the latest addition to the garden is some basil. The large-leaved Italian variety. I actually have lots more plants to plant, in fact I intend to cover that whole row, in order to make jars and jars of pesto :)

The main thing that I managed to do though was to bottle up all my 2014 vintage wines (Airén, Doré, Albillo, Sauvignon Blanc, Garnacha, Tempranillo), and free up all my fermentation vessels, and so I can relax over the summer knowing that all I need to do is wash them before use!

Here's where I store all my wines these days - in niches under the concrete fermentation tanks:

The Albillo niche

And lastly, yet another pending item on my "to do" list - this is the future lovely pergola, that will be covered in vines and hanging fruit, providing a shady decadent luxurious space for slothing around in easy-chairs and/or hammocks while sipping wine and nibbling on aperitivos! Alas, it won't be ready for at least another year:

The future decadent wine-tasting area

And really lastly, I was in a place in Madrid the other day where they had an interesting selection of extraterrestrial wines:

"Importados de otros mundos" = "Imported from other worlds"

How on earth did I manage to achieve all that?

It's been a long time since my last post, and such a lot has lot has happened; so much in fact that I haven't had any time to write any posts on this blog!

That's probably a good thing though, all things considered, as after all, my 'core activities' (as it were) are growing grapes, making wine, and marketing and selling said wine; not writing a blog.  On the other hand though, one could consider writing this blog as part of my marketing!  I suppose it is, really, even though I like doing it just for its own sake.

There's a lot of information in this blog (especially in the "Pages" above), and I get a lot of good feedback about it from many different sources; so I guess I must be doing something right.

So like I said, I've been busy, busy, busy. But in a good sense, not all stressed out and running around madly constantly doing stuff. Like last year!

So here's a quick summary of what I've managed to achieve recently:

1. The pruning. Incredibly I'm on schedule! Usually, if I remember rightly, I'm always running late, some years really, really late, and other years just late! But this year is perfect, so far (touching wood here!). Carabaña (field blend of Airén and Tempranillo) is done; Villarejo (Malvar) is done; my low altitude Garnacha plot in El Tiemblo (Sierra de Gredos) is just under half done, and my high altitude Garnacha plot (also El Tiemblo) is the last one to be started on, in a few weeks.

My half-pruned low-altitude Garnacha vineyard (El Tiemblo, Sierra de Gredos)

2. Bottling. Again, much better than last year, when I had to bottle up madly during the summer to free up tanks before the harvest. This year, I'm about half done already. I just have to bottle up the Airén 14, Doré 14,  Albillo 14 (from an amphora which will be very time-consuming), the Sauv blanc 14 (ditto), and just 1 more barrica of Garnacha.

Bottling up

3. I started beautifying the patio, and preparing a plot of ground to plant some vegetables in.

My rather messy looking patio at the bodega

4. I bought 200 vines to plant in the empty spaces in my Carabaña vineyard (Tempranillo variety, grafted onto Paulsen 1103 rootstock) which I hope to do in April, depending on the temperature and weather

5. I managed to source and buy 2 kg of organic beeswax, so I can line that new baby amphora that I bought on the spur of the moment a few months ago!

6. I prepared and delivered several nice orders (Thierry Puzelat (France), Restaurante Montía (El Escorial), Restaurante Los Asturianos (Madrid), Le Petit Bistrot (Madrid), CienPorCien Natural (Cádiz), Restaurante Bodeguita de Pilar (El Tiemblo), a CSA type group in the mountain village of Bustarviejo)

Boxes, having been prepared, ready to receive bottles of wine, having been corked and labeled

7. Sent off samples to people who were interested in tasting my wines: Barcelona, Vienna, London, Avila, Grenada, Madrid (being discrete here, no names!)

8. Organized some tastings in my bodega with possible importers/buyers (Australia, Norway, Barcelona) and with other people (not possible buyers) who just came to taste because they wanted to (Japan, Boston, Portugal/Belgium, Madrid) (being discrete again here, no names!)

Doing a bit of tasting in the bodega

9. Did a presentation/tasting of my wines in the Petit Bistrot (Madrid) (see this previous post)

10. Went to a Slow Food / Slow Wine event in Zaragoza, to pour my wines, and managed to find a distributor for Aragón, one Carlos Scholderle, #winelover ambassador to Spain. (This two-day event deserves a whole post to itself!)

My table at the Slow Wine tasting, Zaragoza (Aragón)

11. And am in the process of calmly updating the paperwork/redtape/bureaucracy that has to be done if you want to have a legal wine business. Instead of madly doing it the day before the deadlines!

12. And all the while working at my day-job!

 Not bad, eh?  Another new year's resolution was to write down all the things I manage to achieve, which I've been doing. This makes you feel good about your life! Before, I just had the to-do list, which is of course never-ending, but it seemed that I wasn't achieving anything. In fact I was, but I just didn't realize it!!!

Anyway, I hope that wasn't too boring to read through. But it just goes to show that winemaking is not just about being mystical in the vineyard and getting to taste some really interesting wines at tastings! Though of course I love those occasions too, when they occur! There's lots and lots of rather mundane stuff that has to be done, but which is not really photogenic or interesting to write about!

So I think I'll just post this now, without any further ado, and maybe get round to writing some more specific posts next week (or at least before the end of March!)

PS. Just to say that I'll be off to Paris, France this weekend: see here. It's a tasting organized by Thierry Puzelat of all his 'natural wine' producers that he imports into France.

PPS. And also just to say that on Friday 13th, I'll be presenting my wines at Enoteca Barolo (Madrid). 

Some Thoughts and Comments and Feedback on my Recent Natural Wine Tasting

I got a lot of good feedback from the people who came to the tasting of my new wines the other night at the Petit Bistrot. There were not many of us there which was a good thing as I could circulate and chat to the different groups, who didn't really know each other.

It was quite an informal affair as far as tastings go. The normal procedure seems to be to set up a sort of 'high table' or stage with the speaker speaking at an audience who are all sitting facing him or her. But in this case we were all just standing around in groups in a restaurant which, being a weekday, was empty apart from ourselves.

I came away with a very positive feeling of satisfaction and of the certainty that I must be doing something right! A feeling that I really needed, given my recent string of acetic disasters (see my previous post).

Here are the wines I presented:

Airén 2014
Doré 2014
Albillo 2014
Sauvignon Blanc 2013
Tempranillo 2013
Garnacha 2013

The first three were very young whites, which are not even bottled up yet. I bottled six bottles of each specially for this tasting straight from the stainless steel fermentation tanks (Airén and Doré) and from the amphora (Albillo). I am very happy with all three, and I think they should be drunk between now and this summer, ie young, while they are nice and fresh, especially the Airén. I know my Airens can last for years and still be drinkable, but they evolve into a different wine, which becomes less and less fruity and more and more Sherry-like as time goes by. Again, there's no accounting for taste, and many people like them that way. It's just that I personally like the Airén while it's young and fruity and full of complexities.

Regarding the Doré, there's not much I can say as it's the first time I've used that variety. So, I will keep back several cases and taste them over the years. At the moment, it's interesting to drink.

The Albillo 2014 is enormous! It's super complex and interesting and intense. It has the body of a big red wine but the aromas of a white! I'm pretty sure it will evolve well over time too, but it's perfectly fine right now too.

The Sauvignon blanc 2013 is an orange wine, ie made with white grapes but macerated on the skins like a red wine - and then racked into an old clay amphora, then bottled and aged.

I have to say that I myself was really surprised and impressed by the reception the wines got; which sounds like a silly thing to say, as I'd obviously tasted them all before. But I'd always tasted them on my own, straight from the tanks, in a silent and empty winery. Whereas at the tasting, it was like being an actor on stage, with all the related nerves and stage-fright!  Especially during the first wine, when everyone is paying close attention to what I'm saying (as opposed to chatting with their mates like they were doing by the sixth wine!)

So, I think I've managed to tick all those natural wine boxes that I'm interested in ticking:

- Express the terroir
- Express the grape variety
- Pleasant and enjoyable to drink
- Comment-worthy
- Complex and interesting aromas and tastes

I won't go into details about the actual aromas and tastes perceived or comments made by all the different people who kindly shared their opinions with me, as they were all different and even conflicting! Never would it be more appropriate to say "There's no accounting for taste"!

In any case, I'd rather let the wines speak for themselves, and I'd also rather let tasters and critics and winelovers in general speak their opinions, instead of me. Just because I can grow grapes and make wine, doesn't mean that I can write critically and usefully about my own wines! Strange as it may seem!

During the course of the evening I had an interesting discussion with a group of people about the visual aspects of my wines, which were all rather cloudy, all had sediments, and one even had some precipitated tartrates. In a nutshell, my opinion about the visual aspect is, as Clark Gable said to Vivien Leigh: "Frankly, my dear, I don’t give a damn!".  Now that's not meant to be rude or disparaging or anything like that, it's simply the reduction or summary of a topic that I've though about for a long time. A more detailed explanation for this attitude is as follows:

1. I believe that the current modern standard of beauty in wine is just a mere casual collateral consequence of industrial large-volume producing wineries' need to stabilize their wines for transport and storage purposes. I don't think that all these wineries independently and simultaneously started thinking about how to make their wines look better; no, they looked for a way to be able to transport and store their wines cheaply and over long distances and for a long time.

2. I don't believe that transparent, shiny, liquids are for some reason intrinsically more pleasing to look at than cloudy, semi-opaque liquids. This is just the prevailing opinion in the spirit of the times in which we happen to be living. The analogy that sprang to mind in the heat of the moment was of nude paintings of the past, where the subjects were fat! The opposite, in fact, of what is held to be beautiful today, ie not an intrinsic, universal quality, but based on other criteria that are held to be valid at the time in question

3. I also believe that wines are primarily best enjoyed for their taste, and secondarily for their aromas (which are of course closely related), while the visual part is in a different league altogether. I mean how much enjoyment can you get from just looking at your glass of wine?  Most winedrinkers don't pay that much attention to it anyway - just a cursory glance I would say. Most winedrinkers don't even smell their wine before drinking it - I'd say that smelling your wine is a rather geeky thing to do.  So actually looking at your wine and analyzing all those points that you read about in "How to drink wine" manuals seems to me to be only for people studying to become professionals, and a completely useless (and maybe even pretentious) exercise for 'normal' winelovers.

I have an info sheet for each one of the wines we tasted, so if anyone is interested, just write me an email or whatever and I'll send it along.  Ideally I should just put them online somewhere and make a link, but I don't know where to upload them to!

For a post in Spanish, written by Vicente Vida, a Spanish wine blogger, who came to the tasting, click here.

Tasting Presentation of Six (6) Natural Wines

PROXIMAMENTE - Cata de Nuevos Vinos de Vinos Ambiz:

COMING SOON - A Tasting of New Wines by Vinos Ambiz

Cuando - El jueves 22 de enero

When - this Thursday 22 of January

A qué hora - a partir de las 20:30

At what time - starting at 20:30

Donde - en el Petit Bistrot, c/Principe de Vergara, 210

Where - at the Petit Bistrot, c/Principe de Vergara, 210, Madrid

Qué vinos:

What wines:

3 blancos/whites 2014 (Airén, Albillo, Doré)
1 naranja/orange 2104 (Sauvignon blanc)
2 tintos/reds 2013 (Garnacha, Tempranillo)

Hay que reservar: 91-426-7405

Booking required: 91-426-7405

Qué más - charla informativa y ronda de preguntas y muchas cosas ricas para cenar

What else - a presentation and question answer session, and lovely food for dinner

Cuanto cuesta - €25

How much - €25

Wrap-up Post for the Year 2013

(This is going to be my last post of the year - unless something really interesting happens between now and the 31st, that is)

Well, what can I say that is not too boring? I think maybe a quick summary of all the different wines I've made this year would be acceptable, followed by some humour :)

Or maybe I should subject you all to my Great Thoughts on the "State of the Wine World" or some such enlightened topic. Nah, maybe I'll spare you for the time being and do that next year! In the meantime you can just browse though my assorted comments and thoughts and ramblings on the 11 different whites and 5 different reds that I managed to make this year: That should be quite bearable :)

New wines of 2013:

Panoramic view of all my wines

Whites:

1. Airén 2013. From Carabaña, fermented in clay amphora

This is the wine I've been making for the longest time. Since 2003 in fact, though no bottles exist from that time as far as I know. The oldest bottle I have is from 2006. I really regret not keeping a few cases back from those days. But who could have known then that it would have been an interesting thing to do at that time? Such is life!

Anyway, at the time of writing this post (mid-December 2013), this wine is coming along really, really well, I'm glad to say (as I touch wood). It's got body, it's got complexity, and it's got its terroir. Sí, señor! This is normal and par for the course for this wine, but it's really quite extraordinary for an Airén from central Spain. Those of you who know me and who read my posts know that I'm not one to blow my own trumpet (or beat my own drum, as they say in Spain!), but after 10 years of positive feedback, I really have no qualms about saying how good this wine is! Even if I say so myself!  All the other 100% varietal Airén wines I've tasted are all wishy-washy insipid affairs that don't have anything to say. (Except for Samuel Cano's 'Patio' Airén, that is. From La Mancha.)

This year's Airén (2013) is slightly different from all my previous vintages, in that the harvest was really late. About 20-25 days late in general. In particular, I harvested this Airén from Carabaña on the 19th October. And that meant that it didn't have time to finish fermenting before the temperatures dropped too low for the yeast to work. I think!  When I taste it, I'm pretty sure there's some residual sugar in there, so I think the wine will continue to ferment in spring (2014) when the temperature rises again. This is a bit of a bore in one way, because I usually release this wine before Christmas. Apart from being good for my cash-flow (!) it's also a really fun and enjoyable experience to drink this year's wine in the depths of deepest darkest winter. It sort of brings light to life.

So, this year, I'm not releasing it 'officially' or promoting it or actively selling it yet, as it were, but if anyone asks or orders it from me on their own initiative, then I'll ship it.

2. Airén 2013. From Morata de Tajuña. Amphora

This is from a vineyard only about 10 km down the road from my own vineyard in Carabaña. I bought the grapes from a young grape-grower who cultivates them organically.

I made this wine in exactly the same way as I made the one above, from Carabaña, ie:

Grapes crushed manually (using a manual crusher), then pressed manually (using a basket press), and then I pumped the juice into these two large clay amphoras. And that's it! Nothing else! I didn't add anything, I didn't take anything out, and I didn't subject the grapes or must to any other processing whatsoever. C'est fini!  All I have to do now is wait for gravity and the cold of winter to do what they have to do, and then bottle up in January or February or March. Maybe it'll be slightly, naturally sparkling? Who knows? I hope so.


3. Albillo 2013. from El Tiemblo. Stainless Steel

The Albillo grapes came from a vineyard a few kilometers from the bodega in El Tiemblo, overlooking the reservoir known as El Charco del Cura. See this post. They were picked by the owner, Vicente (86) and his family, while I drove the van between the vineyard and bodega with the boxes.

This was my first time making Albillo, but it's not going to be the last! I'm really impressed with this grape, though I shouldn't have been surprise because I'd tasted a few Albillos from the area before (by Daniel Ramos, Alfredo Maestro, and others). This is an awesome grape variety that should be way up there with all the other famous and well-known grape varieties. I reckon this is yet another case of Spain (or Spaniards) not knowing how to market and sell their products. Which are of course just as good as the French and Italian equivalents. But hey, what can I do? I'm not an NGO, nor am I independently wealthy, so I can't go promoting Spanish quality products in general! What I CAN do is promote my OWN quality products, which is what I'm doing. It's a bit of a bore having to work with this negative perception that the world has of Spain and of Spanish products, but... this is where I live and work, so let's just get on with it, no?


4. Sauvignon Blanc 2013. Amphora

This is another first for me. I've never made a wine with Sauvignon Blanc before, but there's always a first time for everything, no?  So, just up the road from El Tiemblo, in Cebreros there's a 'finca' (an estate) that produces very good quality olives, honey, vegetables, and ... grapes. I had the opportunity to buy some of those grapes, and I did.

Two days soaking on the skins, then crushed, pressed and pumped into a clay amphora, and into a stainless steel tank. Just like the Airén, nothing added, nothing taken out, no unnecessary processing.

At the time of witing this post (mid-December) it's tasting very nicely. No cat-piss at all, though I don't know if that's a good thing or a bad thing! For tasting notes and considered opinions on these wines see Nacho Bueno's blog here (in Spanish) and also Mar Galvan's tasting notes here (pending).

5. Sauvignon Blanc 2013. Stainless Steel

Same as above.

6. Chelva 2013 (A). Stainless Steel

Now, this is by far the most interesting experiment I did this year. And I'm definitely going to be doing more of it next year. I did three experiments, but two of them were failures in the sense that the wines were not very pleaseant or interesting to drink or enjoy. But they were of course extremely useful to me, as a winemaker. The third experiment is quite drinkable and interesting, though I'm not going to 'release' it for sale. I will of course sell it and ship it to anyone who orders it. See here for some tasting notes and opinions that are not mine!

Personally, I quite like it, and if no-one else wants it I'll just use it as my own personal table-wine for the year!

7. Chelva 2013 (B). Stainless Steel

Horrible. Crap. Don't even try it it, unless you're a wine geek. It has lots of academic, vinous interest, but it's not the type of wine that you can sip and enjoy while flirting or just having a normal conversation, or while having lunch! It's even more extreme that the above Chelva (A). But don't get me wrong, it has no faults or defects, and is perfectly drinkable, it's just that it's rather ... unusual, or maybe 'green' is the word, I'm not sure what the descriptors are. Basically, IMO, this is because the grapes were picked earlier than the Chelva (B). See about half-way down this post.

Chelva (C). Stainless Steel. This third Chelva experiment, I'm not even going to dignify with an experiment number!


8. Malvar 2013 (A). Amphora


9. Malvar 2013 (B). Amphora


10. Malvar 2013 (C). Amphora

Malvar, Malvar and Malvar

These three white, skin-contact ('orange') wines should have been all the same, because they're made with the same grapes, from the same vineyard (Malvar from Villarejo), harvested on the same day, and processed in exactly the same way - grapes destemmed and crushed manually and everything (must, skins, pips) poured into three different clay amphorae. The only difference is in the size and shape of the amphorae. And maybe the composition of the clay? Or the linings?  Whatever. The fact is that the three wines taste slightly different. I don't know yet whether to keep them and sell them separately, or to blend them all together. Time and tastings will tell.

In any case, I'm not going to release them for at least a year. I believe that 'orange' wines improve over time and age well (at least mine do!). I still have a few hundred bottles from 2012, and they are tasting really well. The complexity and intensity of the aromas and tastes are amazing.

Now the reds:

I think I'll write about the reds some other time, because at this rate I won't have this post finished till next year! Just to say that I have these 4 reds this year:

11. Tempranillo (Carabaña). 
12. Tempranillo (El Tiemblo). 
13. Garnacha (Sotillo)
14. Garnacha (El Tiemblo)

So Merry Christmas, everybody.  For the holidays in general I recommend you drink the wine you like, and will enjoy, and try not to pay too much attention to all these recommendations that ar in our faces everywhere :)

A Wee Anecdote En Primeur

I was at the Le Petit Bistrot the other week for the Beaujolais Nouveau night:

Le Beaujolais Nouveau est arrivé

By the way, as I've mentioned several times in the past already, Le Petit Bistrot is the ONLY bar in all of Madrid that sells exclusively natural wines (ie, wines that do not contain added ingredients, like colourants, thickening agents, sulfites, additives, preservatives, etc), a fact that never ceases to amaze and embarrass me as Madrid is the capital city of one of the biggest wine-producing countries in the world. But my primary reason for going, apart from quaffing some nice Beaujolais, was to meet a distributor who was interested in carrying my wines. So what better place to meet than Madrid's only natural winebar!

By the other way, apart from the 2013, there were also some wines by the same producer from previous years. Not carbonic maceration, but 'normal' fermentation:

More Beaujolais, but not nouveau

 And here's a pic of Carlos, the owner of the bistrot, who is French, despite the Spanish name:

Le Owneur de le Petit Bistrot

I thought that the name producer of the Beaujolais Nouveau wine in question was "Justine Titegoutte", (because that's what it says on the front label!) but it turns out that this is just French humour. Check out the Wikipedia article (here) or other sites of your choice. The idea is to fit a name before the surname 'Titegoutte' and make a play on words, or double-entendre. For example, the case in point: Justine Titegoutte doubles as "Juste un 'tite goute" (ie  'Just a wee drop") geddit?  I thought we British were the only ones to do that kind of terrible punning :)  

So, I didn't take a photo of the back-label cos I thought at the time that Justine Titegoutte really was the name of the producer! You'll have to contact Carlos at the 'titebistrot if you want to know!

Anyway, here's the lineup of my whites of 2013 that I brought along for this distributor to taste:

Airén 2013       Chelva 2013       Malvar 2013       Albillo 2013       Sauvignon Blanc 2013

Each one a slightly different shade of yellow-orange. The only one that really is an 'orange' wine, ie white-grape extended skin contact, is the Malvar; the others are normal whites with no skin contact, believe it or not!

They are all of course extremely young, the grapes having been harvested and processed in August (for the Albillo) and at different dates during September for the rest. So they haven't really settled and clarified themselves yet.

As you can see, I don't have proper labels yet, but I should have some soon. An artist, Jane Frere, from Inverness (Scotland) is working on them, and the artwork should be finished by new year.

Those are not all the white wines that I made this year, but I thought it would be excessive if I brought too many!  I really went over the top this year I think, because I actually have all these:  (11 different white wines from 2013)

Two (2) Airén (one from Carabaña, one from Morata de Tajuña)
Three (3) Chelva (all from El Tiemblo, but two different vineyards)
Three (3) Malvar (all from the same vineyard in Villarejo, but in three different amphorae, and so they all taste different! Go figure!)
Only one (1) Albillo (from El Tiemblo)
Two (2) Sauvignon Blanc (from the same vineyard in Cebreros, but one lot in clay amphora and one in stainless steel)

Assorted containers full of 17 different wines!

Well, I won't bore you all with the tasting notes, and I'll just say that the distributor liked them a lot and actually placed an order for some of them! So, I was very pleased indeed!  This is the time of year when we small artisan producers have to start promoting and selling our wines, as the harvesting and fermenting is finished, and there are no urgent tasks to do till after new year, when one can start thinking about pruning! So, good news! 

The interesting  (weird, even) thing about this meeting/tasting was that "this distributor" insisted on total discretion and confidentiality!!! ie, I'm not allowed to tell anyone his name or what wines he bought or how many of them. I'm still kind of puzzled at this. Also, he offered to buy "en primeur", ie he's going to pay me now and take the wines whenever I decide to release them, the only condition being that the price he pays now has to be less than the price I set when I release them. I don't know what to think any more!  The only occasions  when I've heard of this 'en primeur' business has been in relation to scandals and marketing media-circuses in Bordeaux and in Burgundy etc. And now it turns out that I'm doing it too! On a much much smaller scale obviously :)  But, dammit, now I'm going to have to start thinking seriously about all this!!!

PS. The reds that I made this year are another story, which I'll save for another post!

Harvest Report 2013: Dammit, Everything is Going Wrong this Year!

Well, not everything, but it's hard to be objective when all sorts of sh** happens every day!

I really shouldn't complain, because, despite everything, I've managed to find an awesomely beautiful and spacious bodega (winery) which has infinite possibilities, and which only requires a bit of time, thinking, and planning to make a go of. In the meantime, though, short term, many things are going pear-shaped, and my wine plans (such as they are) seem to be changing every other day. I've made a big effort this year to be rigorous and systematic, and to actually write things down on paper, but I wonder why I bother, as every day brings an new 'event', phone call, circumstance or whatever, that radically changes all my previous plans.

My awesomely beautiful and spacious bodega!

 Anyway, whatever. Here's my latest status, as of today:

Grapes in, wines made, wines being made:

1. Albillo. This year, I made my first ever lot of Albillo. Seeing I've just moved into my new bodega in El Tiemblo, in the Gredos mountain range, I just had to make some Albillo. It seems that this is a variety that is in danger of extinction, as only a few winemakers use it. The problem is that it's also used as a table grape, and is very expensive and difficult to find. I was only able to find a small lot of about 400 kg at the last minute (see this previous post of mine). The wine I made is now practically dry, or perhaps still fermenting very slowly, as I can get a slight whiff of CO2 when I stick my nose into the tank. I don't know what it's going to be like, but I think it will be OK and will only get better after the cold of winter. The fermentation was fast and hot, as I wasn't able to keep it cool, due to 'circumstances'. Next year I will definitely do at least two different experiments. Live and learn. And enjoy!


2. Tempranillo from Carabaña. I harvested it a few weeks ago, last Sunday 22 September. Lovely bunches, totally healthy, not a single symptom of mildew or anything else. I was well pleased. I destemmed and crushed the bunches by hand, and the wine is still fermenting slowly on its skins. The last reading I took a few days ago showed a density of 1020, so almost finished. I've been punching the cap down once a day (and sometimes no times at all). That's not a lot by present day standards, but I don't really want to extract it to death. Nice and easy does it :)  I think I'll press it off over the next few days, before the weekend, maybe. There's only enough to make one barrica (225 liters, or 300 bottles) of Crianza.

3. Chelva. This is a local white variety that grows mostly in Extremadura, but which is found around El Tiemblo too. It's a variety that is looked down upon and frowned upon. It's used for table grapes and has a very negative cultural and vinous reputation. But hey, so does Airén, and I've managed to make a pretty mean and interesting Airén over the past 10 years, which sells very well and generates positive feedback for me, so who's to say I can't do the same with Chelva? There's only one way to find out, isn't there? So I'm doing several different experimental lots this year:

- Chelva Experiment #1. Carbonic Maceration. On Wed 18th September I sealed up a 300 liter tank with selected whole bunches of Chelva. It's still sealed as I write today. Soon, I'll check it out and decide what to do.

- Chelva Experiment #2. Frutteto style. Acting on the good advice of fellow winemaker Daniel Ramos (with whom I'm sharing the new bodega), I laid out about 500 kg of bunches upstairs on the 1st floor of the bodega, in order to dry them out a bit and increase the sugar concentration. They lay there for about two weeks and the other day I also crushed and pressed them, and they had indeed increased in sugar concentration. The reading I got showed 12.5% of probable alcohol; which seems rather a big increase, so I'm suspecting that one of the two reading may have been a bit off.

- Chelva Experiment #3. Crushed and left soaking on the skins, 'orange wine' style. That's about two weeks skin-contact time. This could well be one of the experiments that go wrong. The sugar content was very low and hence the probable alcohol level - only about 10.5%. This could well be lost to acetic acid. I did in fact have a close shave, as the other day when I opened the lid to check the cap, I got a huge whiff of vinegar. To be expected I suppose, with no added SO2, and such low level of alcohol. But all was not lost, it was only in the cap, as the wine I tasted from the tap at the bottom of the tank was OK. So I separated the cap, threw it out, and pressed the rest of rest of the skins.

After all that, I decided to blend the 'frutteto' and the 'carbonic maceration'). The regular vinegary lot, I doused with metabisulfite (about 40 mg/l), and sealed the tank hermetically. I don't know what will happen, maybe it'll turn to vinegar after all, or maybe it will survive. I'll check it every couple of days. Maybe I`ll blend it in turn with the other already blended lot of Chelva.

I was going to do more experiments with Chelva but I won't be able to now. This is because the grapegrower I bought the grapes from is completely unreliable and I couldn't get him to harvest on the dates I wanted.  For some reason or another he unilaterally decided to harvest one day (19th September) and appeared at the door of the winery with almost 1000 kg of grapes. Now if I had been a hard-nosed business-first type of person I would have told him to get lost and sell his grapes to someone else, and that I didn't want grapes with a probable alcohol level of 10.5%; but I don't know why, I took his grapes!

Actually, I'm even more pissed off with that grower because there was another 1000 kg left in the vineyard, which I intended to harvest this weekend, but which now I can't, because he's gone back on his word and he's decided to use it to make some wine himself!  What a disaster! Basically I end up with 1000 kg of grapes that I didn't want, and I don't get the 1000 kg of the grapes I did want!

All I can say is that I won't be buying any grapes off him next year. In fact, I'm even more pissed off, if possible, because I turned down another local Chelva grower who offered to sell me his grapes! Grrrrrrr.

4. Garnacha from Sotillo de la Adrada. Last week, Sat 28th and Sun 29th September, I harvested three different plots of Garnacha. It was hairy. The weather here in Spain that weekend was weird. They were calling for rain, but not too much. To harvest or not to harvest? In the end I decided to harvest, because 2 of the plots were ripe and had to be harvested, and if we got wet, well, we got wet! In the end we were very lucky, because we only got rained on a little on Saturday morning, and not at all after that. So I took in about 2000 kg, all of which I've decided to ferment whole-bunch carbonic maceration. And there they lie, fermenting carbonically, as I write.

Harvests Pending

1. My own Airén, in Carabaña. I checked it out the other day and it's showing just over 11% probable alcohol, which is not a lot really, cansidering the time of year. I'm going to leave it for another week to see how it goes. It was lloking really good, totally healthy, no signs of any rot or mildew or anything. Touch wood!

2. My own Malvar, in Villarejo. It was showing 12% probable le alcohol, so I'm going to leave it for another 10 days / two weeks too. In contrast to the Airén, the Malvar was rather uneven. There were lots of vines that had ripe or ripening bunches and at the same time bunches with tiny immature berries. Very irregular.

3. Tempranillo, El Tiemblo. A nice plot of organic Tempranillo (officially uncertified but grown by a trustworthy grower), which was at a probable 13% last week, but still unripe.

4. Garnacha, from El Tiemblo. Also uncertified organic. Only showing 12% last week, so probably another 2 weeks to go.

5. Maybe an extra surprise that I'm not expecting? I wouldn't be surprised :)

Apart from all that

Now apart from all the above unknowns, I also have other complications or "challenges" to deal with over the next few days or weeks.

Firstly, adding up all the kilos of grapes that will be coming in, I don't currently have enough storage capacity to process them all! This is incredible and/or ironic, but true, as I'm installed in bodega with a theoretical capcity of 1.2 million liters of wine, in the form of concrete tanks (of 16,000 liters each). The problem is that I can't really use them, as I don't have enough grapes/wine to fill even one of them, and it's very risky to only partially use a tank (especially a concrete one). Because of the oxygen contact and possible contamination from the walls of the unused part. So basically I have to buy a few thousand liters of capacity in the form of bins, containers, tanks, whatever. And my only practical option is plastic, because of the price. I would prefer stainless steel, or clay pots, but the cost would be prohibitive for me. I'm almost tempted to do a crowd-sourcing thing, to finance the purchase of say, 4 or 5 1000 liter stainless steel tanks or clay amphorae, but I just couldn't deal with that now. Maybe next year.

Secondly, I don't own a van, so I either have to borrow one from a friend, or rent one. Or not, depending on whether the grapes are ripe or not!

Thirdly, I don't own any cases for harvesting the grapes! I've always borrowed them. This is ridiculous really, and I ought to just go and buy some; there're not even that expensive! So it depends on whether my friends/acquainances are using their cases or not.

- Fourthly, labour!  Whether to hire a few professionals for the day, or to invite friends and family? That is the question.

So, all things considered...

Writing a post like this is very therapeutic for me, because it actually really does put things into perspective. It's very easy, in the middle of the harvesting season, to lose sight of the bigger picture, and small insignificant details can take on utterly ridiculous proportions and make you lose the plot and/or obsess about trivialities! I think it's important to maintain your grace under pressure. It doesn't matter if it all doesn't go 100% according to plan. Like someone once said "No plan ever survives contact with the enemy". And anyway, it's not like this is making war, it's just making wine! Though it is a bit like being a general, or a film director at times, because you are the person who's ultimately responsible for everything, and you're surrounded by people (be they friends/family, be thsy hired help) who are constantly looking to you for decisions, orders and answers to their questions. If you happen to be a general or a film director and you do this kind of thing every day, then I suppose it's easy, but if you only do it once a year, then it's hard to keep on the straight and narrow, to keep that grace under pressure.

Also, I think wine is a slow business, and I don't want to over-expand too fast. I'd rather go slowly and keep the same level of quality that I've been keeping over the years, than throw it all overboard in a year. I think this will be a good year for me, no matter what happens with the rest of the harvests. I have an awesome bodega in the middle of an undiscovered, traditional, wine-producing, terroir-rich, mountain range! It's all up to me to make the most of it now. Who cares if if I got a hair in my soup, or got 1000 kg of Chelva that I didn't really need?

A Whole Day Spent NOT Working at the Bodega

Yes, the other day (Tuesday 13th)* I actually did something other than clean, paint, tidy up or otherwise work at the new bodega! I was so fed up and bored by all this bodega work, that I jumped at the invitation I got to participate in an organic produce farmer's market, as part of the traditional Fiestas de la Paloma held every year in Madrid.

It was a bit of a disaster commercially speaking, but I had a great day nevertheless, as I rested both physically and mentally from the bodega. Basically I sat on my butt all day on a chair behind my counter and chatted to my fellow organic producers and did a lot of good networking!

Calle Calatrava, Madrid

This was what the street looked like for most of the day. Not surprising really if you think about it. First, during the day in the centre of Madrid, it's really hot and airless. Second, the Fiestas de la Paloma is a night-time drinking and partying kind of fiesta, not really a time to go shopping for organic produce!

Me and my wines!

I think I enjoyed myself so much, despite the heat and lack of customers, because technically speaking I was "working" even though I had nothing to do! So I didn't feel guilty about not doing anything useful or productive, as it were!

Next to me on one side was a nice couple, Gabi and María, who produce organic vegeatables in Chinchón, a town about 40 km from Madrid, and not far from Morata de Tajuña. They have a stand at the Mercado de la Cebada, a municipal market in the Latina District of Madrid. They also sell boxes of organic veg via the internet, and go by the name of Rayo Verde. On the other side was a producer of organic honey.

I also met a young photographer who works for an online newspaper (no paper version) that covers local events in Madrid: Madrid Diario.  His name is Kike and he took this photo of me!

Me again!

Then, in the evening, there was a cheese and wine tasting, organized by Slow Food Madrid, at this winebar, also in Calle Calatrava:

"El Almacén de Vinos" on Calle Calatrava

An excellent winebar with an interesting winelist, and good atmosphere. Well frequented too, in fact there were more poeple inside that on the street that evening!

Cheese 'n' wine tasting

A great time was had by all but technically speaking the tasting was a bit of a disaster! The bar was full of normal customers and people who had come specially for the tasting, but there was no way to separate them, nor was there any way to get the normal customers to keep quiet while we spoke!

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Then yesterday (Thursday 15th) I spent at both bodegas, the old one in Morata de Tajuña and the new on in El Tiemblo, and a very pleasantly spent day it was too, because I was accompanied by two 'helpers':  Nacho Bueno, a Spanish winelover and blogger (his blog is here, in Spanish) and who sponsored one of my barriques a few years ago (see this post) and with whom I made a coupage called "Las Cinco en Punto" (Five on the Dot) back in 2010. And Omri Ram, an Israeli wine student, who I knew from Facebook but who I met for the first time.

Here are my two helpers, working hard!  Omri bottling up the Malvar Amphora 2012 and Nacho on the corking machine:

Happy Helpers :)

We then loaded up the car with stuff and went to El Tiemblo, where we did a nice tasting of some of the wines I had there.

Left-to-right:  Malvar, Airén, Airén

The most interesting ones we tasted were:

An orange wine (Malvar 2011) (above, leftmost) which I found in the boot of my car last week! It must have been in there for months, with the heat easily reaching 40ºC when parked out in the sun. So I wanted to see how it was. The cork had already been pushed out by about 1 cm. Incredibly the wine was just fine. Omri took it home with him, and hopefully he'll provide his opinion and some tasting notes shortly :)

The two Airéns above are EXACTLY the same except for the fact that one (right) was crushed in a manual crusher, while the other (middle) was crushed underfoot. Same vineyards, same day of harvest, same pressing, same fermentation tanks, same racking, same everything!

The other interesting wine was this experiment I did last year, with an unknown variety called Rojilla (see this post).

A big bottle of Rojilla

This was the first time I or anyone had tasted it since it was made last harvest in 2012. I was really pleased with it. The colour was very light, almost liker a rosé, despite having spent 12 days on the skins before pressing. Aromas were delicate and fruity and in the mouth too. Shame there's only one bottle of it, even though it's quite a big bottle :)

Rojilla in the glass

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*  Not a lot of people know this, but Tuesday 13th is considered to be a bad luck day in Spain, just like Friday 13th in English-speaking countries. Go figure. In Italy, it's Tuesday 17th! go figure even more!