name="description" content="Terroir-expressing natural wine minimum intervention">
Showing posts with label Albillo. Show all posts
Showing posts with label Albillo. Show all posts

Thursday, 3 November 2016

Harvests 2016 all done

Another year, and once again all the grapes are in. My last harvest was the Malvar on Monday 10th October.  And not a moment too soon! Because after a long, long, hot, endless summer with zero rainfall, it stated raining heavily and properly all over Spain on Wed 12th! Ha! So I’ll have to find something else to complain about, as viticultural tradition demands J

I did a total of 15 harvests this year, in 15 different plots, for a total of 15 different wines:

1.      Albillo (Charco)
2.      Albillo (Fx)
3.      Garnacha (Charco)
4.      Doré (Fx)
5.      Doré (Pp)
6.      Sauvignon Blanc (Qx)
7.      Tempranillo (TET-A)
8.      Garnacha (Castañar)
9.      Garnacha (Dehesa)
10.   Garnacha (McCarb)
11.   Chelva (Early)
12.   Villanueva
13.   Chelva (Late)
14.   Airén (Carabaña)
15.   Malvar (Villarejo)

That’s 2 red varieties (Garnacha and Tempranillo) and 7 white varieties (Albillo, Doré, Sauv, blanc, Chelva, Villanueva, Airén and Malvar).

I vinify each plot separately even if it’s the same variety, because it’s more interesting that way. It’s amazing how different the wines are, even if the plots are close together and the winemaking techniques are the same. For example, in El Tiemblo (Sierra de Gredos) the Garnacha Castañar plot is only about 1 km away from the Garnacha Dehesa plot as the crow flies, but the grapes and wines are totally different.

The novelty this year is a variety called Villanueva. It’s not uncommon in the area but it’s usually just a few vines interspersed among another predominant white variety. But by chance a local grower, who has an entire vineyard planted to Villanueva, came by the winery one day to offer them to me. ‘Why not?’ I thought. It’s a rather tiny plot, and there was only 150 kg. So I crushed them and pressed them and let the must ferment in small tinaja – in tinaja because it was the only container small enough available at the time!

All the rest I’ve done before, and am following the line of ‘If it ain’t broke, don’t fix it’! That’s to say that for all of the wines listed above, I followed (am following) the same techniques that have worked for me in the past, with regard to decisions on type of container (steel tank, wooden barrel, clay tinaja), maceration times if any, with or without stems, etc.

The only crazy experiment I’ve done this year is to follow a recipe I read in Pliny the Elder’s ‘Natural History, Book 14, Chapter 12. I followed the first recipe of the three he gives. So I guess I’ve made (am making) a beverage called ‘deuteria’ by the ancient Greeks and ‘lora’ by the ancient Romans. This is the stuff that was quaffed by slaves and labourers. The original glou-glou wine?

Following are some assorted photos, from over the summer:

 
View of the Albillo (Charco) vineyard, with the Alberche river in the background.
El Tiemblo, Sierra de Gredos

Bird's eye view of Albillo macerating

Bottling machine

My Garnacha vineyard using no chemicals, next to a naked agro-chemical wasteland vineyard!

Bottling up

At a wine fair

Sheep in the Garnacha vineyard, eating weeds and dropping caca!

Sheep entering

Living soil, for healthy vines

My pet nat exploding on me! Too much pressure!

My Chelva vineyard, surrounded by the houses of El Tiemblo village

In another Garnacha vineyard, steep, in El Tiemblo, Sierra de Gredos

Bottling up!



And to finish off, a note on the word “sapid”

I generally find it impossible to have decent in-depth discussion on FB or other social media sites. And a few weeks ago, I found myself feeling frustrated because I couldn’t say what I wanted to say! I think that FB and other sites are just not the right place for a proper discussion or debate: basically, they all tend to favour spur-of-the moment, shooting-from-the-hip type comments, right there and then, whenever you happen to come across an interesting post that you feel like commenting on. There’s just no time to think before typing! Apart from wine, I also like words, so I was doubly affected!

This had been annoying me for days, so I decided to do something about it. After searching on the internet and after doing a bit of ‘due diligence’, I’ve come to the conclusion that it’s not a very useful word to use in written wine-tasting notes or while speaking live to an audience. The due diligence consisted in asking native-English-speakers, uncontaminated by knowledge of a foreign language, if they knew what ‘sapid’ meant. Not one did! English-speakers who know a Latin language would know ‘sapido’ (It, Sp, Pt) or ‘sapide’ (Fr) where it’s quite a common word for everyday use and just make the connection.

Firstly it’s not a very common word at all in English (see here, this is just one of many word-frequency sites) and so it’s not likely that the readers/audience would understand what it means. This may depend on the level of knowledge/culture of the audience though, so an audience of hardened winelovers may have come across it before. But still!

Secondly, once you discover the meaning of ‘sapid’, you also discover how useless it is, for it means “having flavour” “tasty”. Which covers just about every edible/drinkable substance in existence, except for water!

I suppose that a slight degree of usefulness might be attained if a bit of common sense is applied by the reader/listener, ie by assuming that the writer/speaker really means ‘very’ or ‘extra’ flavourful/tasty. But then why bother with ‘sapid’ at all? Why not just say ‘very/extra tasty/flavourful’ and make life easier for your readers/listeners, who are after all reading/listening to you with a view to learning something about wine! But then again, maybe they would enjoy learning a new word? Or are happy to be introduced to the secret and occult world of wine-tasting? Or would they hate wine forever on account of the arcane vocabulary used?

Well, whatever. Anyway, I feel a lot better, now that I’ve got that off my chest.  J

Monday, 26 September 2016

Albillo Harvest 2016, Sierra de Gredos

Well, that was quick! I can’t believe it’s over already! After only four days of intense work I now have about 2500 litres of Albillo fermenting away nicely.

Day 1: in vineyard, harvesting from 7:15 (crack of dawn!) till about 15:00. Six of us took in about 2000 kg. Lunch, then crushing. All done by about midnight.

Day 2: in another smaller vineyard, again at 7:15. This time the six of us took in another 1000 kg and we were done by 13:00. Lunch, and all crushed by midnight.

Day 3: pressing off the first harvest, after 2 days maceration

Day 4: pressing off the second harvest, after 2 days maceration

Scroll down for photos.

This year I decided not to do any experiments with the Albillo like I’ve been doing over the past few years. I’ve tried lots of options and variations, like different skin maceration times, fermenting in stainless steel, open top barrels, amphorae/tinajas, etc. So based on the feedback I get from people and on my own personal taste and preference, I’ve decided to make my Albillo like this:

-          - Crush and macerate for 2 days in stainless steel
-          - Press off, and put juice back into stainless steel
-         -  One racking only into a large tinaja, to remove the really gross lees
-         -  Bottle up in spring, after the cold of winter has passed
-         -  Age in bottle for at least 1 year

This was in fact the way I made my Albillo 2014 (from which I’m constantly receiving good feedback, AND it’s one of my personal favourites). So that’s that!

Climate/weather

Basically, this year in Gredos there was a very mild dry winter and then it rained a lot in May/June, and then a long hot dry summer. I presume that this affected the ripening of the grapes which was a bit odd; they ripened steadily and normally until about the middle of August when the sugar content was indicating a probable level of alcohol of 13%-13.5%, and then it just stuck there. I’m guessing that the vines shut down their sugar production due to the heat. So eventually I decided to harvest at 13.5% (on 27th Aug) as the grapes were otherwise perfectly ripe, ie golden skin, crunchy pips, stems starting to lignify, some leaves turning brown already, etc.

Well, there you have the meteorological info! I know some winelovers like that sort of data, but I personally find it kind of boring and not even all that relevant. I know that it’s important, but on the other hand, I also know that the interventions of the winemaker are much much MUCH more influential on the final wine. So it leaves me kind of nonplussed when I hear a comment like “yes, the 200X was a very wet/dry year” or some such. Or is this a cold-climate thing? Maybe in the Sierra de Gredos, with its dry continental climate, the yearly weather variations, like the one I just described above, it don’t really make that much difference?

More winemaking info

Sulphites. I haven’t added any sulphites (or any other substance, chemical, additive, nutrient, enzyme, etc) to the must. Why not?
1.              Sanitary reasons. Because there is no need to. I ensure that the grapes are perfectly healthy, ripe and clean; I select in the vineyard and reject unripe, rotten or otherwise undesirable grapes, and don’t take in any leaves, dirt, pebbles, etc (see this page for info on what I do and don't do in the vineyard)
2.              Terroir reasons. Because adding sulphites kills the yeasts and thus removes the complexity provided by all the different varieties of yeasts that are present at this time.
During the first few days, saccharomycescervisae is hardly present at all – the active yeasts are other species, including the ones feared so much by enologists and chemical winemaking engineers! (ie brettamonyces, candida, kloeckera and others). During these first few days, these yeasts provide all sorts of interesting flavours and aromas (including so-called “off-tastes”). But, as the alcohol level increases, these yeasts die off and good old saccharomyces begins to take over, because it’s very tolerant to alcohol. And at the end of the fermentation process it’s 100% dominant. This is what I believe is happening during fermentation. But I could be wrong of course!

Racking. I usually do only one racking to take the wine off the really gross lees, but I prefer to leave the fine lees in there. I believe that this a good thing because:

1.              They contribute to the taste and aroma of the wines
2.              They provide protection for the wines against spoilage over time, which is important as I don’t use chemical preservatives or stabilizers to do that

Filtering, clarifying and fining. I don’t! For the same reasons as above, ie for taste, for protection and for terroir expression. This often results in a cloudy wine which many people don’t like. Oh well, you can’t please all the people all the time, can you? And there’s no accounting for tastes! In any case I’ve found that if you leave the bottle standing vertically for a few days it clarifies itself nicely.
It’s interesting to note that all wines must have been cloudy (or clarified naturally by gravity) ever since winemaking began about 8000 years ago. It was only with the advent of bottling technology and the need to store and to distribute to a mass market, that wines started to get filtered, fined and clarified.
It’s not actually necessarily an intrinsically ‘good thing’ to clarify wine, in terms of quality, taste or terroir expression. It’s done due to the need for the wine to be stable and inert so that it can be transported and stored over long distances and over long periods of time.
Clarified wine is also of course ‘prettier’ to look at than a cloudy wine and so is easy to sell to the mass market. A bit like beautiful, perfectly round, shiny tomatoes (which sadly don’t taste of anything).

Photos and anecdotes


Albillo vineyard in El Tiemblo (Sierra de Gredos). River Alberche in the background

Tree in the shade of which we store the cases of grapes 
Close-up of Albillo grapes
  
Close-up of me!

Top-down view of Albillo macerating on skins (destemmed)

Albillo juice flowing out of the press

Flamenco moment :)

Albillo juice in full fermentation

Slight overflow of Albillo fermentation foam

All nice and clean again

Rest and relaxation time under pergola structure in the patio of the bodega

Tuesday, 5 May 2015

Natural Wine fair in Madrid (and other ramblings)

Yes, incredible but true!  There's going to be a mini-natural wine fair held in Madrid this coming Sunday 10th May 2015. I say 'incredible' because it's been many years, if not decades, that natural wines have been produced, sold and drunk around the world, but the phenomenon seems to have passed Spain by. But mustn't complain! It's going to be a great event, and great fun shall be had by all :)

Save the date and the place, which is very conveniently very central and right next to Atocha train station:



Here's the list of the producers:
– Alexandre Coulange – Domaine Thuronis – Languedoc
– Jacques Broustet – Chateau Lamery – Burdeos
– Nacho González – La Perdida – Valdeorras
– Bárbara Magugliani y Joan Carles Torres – Can Torres – Ampurdán
– Manel Rodríguez – Wiss – Montsant
– Marcel Carrera y Ramón Viña – Vinya Ferrer – Terra Alta
– Miguel J. Márquez – Dagón – Valencia
– Rafa López – Sexto Elemento – Valencia
– Fabio Bartolomei – Ambiz – Madrid
– Julián Ruiz – Esencia Rural – Toledo
– Samuel Cano – Patio – Cuenca
– Juan Pascual López – Viña Enebro – Murcia
– Jose Miguel Márquez – Marenas – Montilla
– Ramón Saavedra – Cauzón – Granada
– Torcuato Huertas – Purulio – Granada
– Manuel y Lorenzo Valenzuela – Barranco Oscuro – Granada
And you'll be able to taste the wines of:
– Domaine Meyer – Alsacia
– Patrick Bouju – Auvernia
– Costadilá – Veneto
– Frank Cornelissen – Sicilia
Only €5 to get in, and you get to keep the glass! A bargain at twice the price :)

Other Ramblings

Well, I've been incredibly busy lately and amongst other things I managed to plant about 200 new Tempranillo vines in the Carabaña vineyard in the empty spaces where the vines were missing for some reason or other.

Here's a panoramic view of the vineyard from a few days ago. Note the grass just starting to grow, and the tubes protecting the newly planted vines:
Panoramic view of Carabaña vineyard
 And here's a view from the top! See the cane for the young vine to grasp onto, and you can just see the tiny vine at the bottom:
Bird's eye view!
I also managed to hoe up around about 30 vines or so, before my back said 'enough'!

Hi hoe, hi hoe, it's off to work I go!
Meanwhile, back at the bodega, I finally got round to bringing a barrica of Tempranillo 2010 from the previous bodega I was working out of, in Morata de Tajuña, two years ago(!) to my current bodega in El Tiemblo.

Due to the fact that a full barrica weighs about 275 kg, and in a not very accessible position, what I had to do was: pump the wine out of the barrica into a steel tank in the back of a van, load the empty barrica, drive to El Tiemblo, and then pump the wine back into the unloaded and palletized barrica:

Pumping Tempranillo back into its barrica

I also finally got round to tidying up the patio of the bodega a little bit. Here you can see the space next to the wall that used to be covered with brambles, which I had left alone on purpose last year, in the hope of harvesting some brambles! But there were hardly any to be had, so I uprooted the lot. Pending for May is the planting of some roses or other climbing plants that will help prettify that enormous blank wall!


Here below you can just make out the tiny plants of lettuce, tomato, onions, etc:


 And the latest addition to the garden is some basil. The large-leaved Italian variety. I actually have lots more plants to plant, in fact I intend to cover that whole row, in order to make jars and jars of pesto :)


The main thing that I managed to do though was to bottle up all my 2014 vintage wines (Airén, Doré, Albillo, Sauvignon Blanc, Garnacha, Tempranillo), and free up all my fermentation vessels, and so I can relax over the summer knowing that all I need to do is wash them before use!

Here's where I store all my wines these days - in niches under the concrete fermentation tanks:

The Albillo niche
And lastly, yet another pending item on my "to do" list - this is the future lovely pergola, that will be covered in vines and hanging fruit, providing a shady decadent luxurious space for slothing around in easy-chairs and/or hammocks while sipping wine and nibbling on aperitivos! Alas, it won't be ready for at least another year:

The future decadent wine-tasting area
And really lastly, I was in a place in Madrid the other day where they had an interesting selection of extraterrestrial wines:

"Importados de otros mundos" = "Imported from other worlds"




Monday, 6 April 2015

Two Visitors to my Vineyards and Winery

Like I'm sure I've mentioned before, it's not all hard work in the vineyards and winery - sometimes I get a 'day off' when someone comes to visit, even though it's still considered to be 'work'. A bit like when I travel to a wine fair :)

The first visit was about two weeks ago, by Clara Isamat, of Vinos Compartidos, based in Barcelona. She's producing a video documentary on natural wine, with a chapter or a section for each producer that she's selected. She working with a production company called Entropia Films.

Here's me and Clara, in the patio behind the bodega, on the old weighing station
So basically I spent all afternoon/evening with her and her film crew, blah-blah-blah, answering her questions, and holding forth on all sorts of issues related to natural wines, skin-contact whites, conventional wines, fine wines, the environment, globalization of wines, ingredient labelling, quality, etc, etc.

Checking the quality of the Sauvignon Blanc Amphora

Bottling up, the slow way

Fishing out a glass of Suav blanc
 Here's Victoria and Martí of Entropia Films doing a bit of post-production on the fly

Next day, more of the same, but in the vineyards. Nice and early so they could "catch the light" which is more beautiful just after sunrise!

Here we are in the car on the way to the vineyard. Can you believe that I'd never seen a selfie-stick before? Amazing! This one had a blue-tooth connection to a clicker!

A selfie-stick
I think it's that way
Check out that vine!

Pruning or posing?
Clara brought me a present, a new wine toy called "Kit de Cata" or "Tasting Kit", which consists of special wine socks that you can slip over a bottle of wine when you're playing a blind tastings! Otherwise, you have to wrap the bottle up in silver foil, or use a paper bag, or other inelegant solution! :)   It's great fun, and impossibly difficult to guess the wine (unless you're a professional taster, who tastes many different wines every day). You can get these lovely socks here: adivinosvino.com

Blind tasting wine socks by adivinosvinos
But I have to say that I've had at least two minor blind tasting triumphs over the last few years: one was when I gate-crashed into a monthly tasting held by a club in a village near Madrid that I happened to be passing through one evening; and I knew they were there so I thought, why not?  Well, the first wine was ridiculously obvious to me, because as luck would have it I'd recently tasted lots of them at a wine fair in London!  It was a Georgian wine and when I declared my guess everyone looked at me like I was mad. But I was right! :)

But anyway, I'm getting distracted! The next visit was by Mario Siragusa, a grapegrower and winemaker from Piemonte, Italy. I'd met hime in Turin last year at Banco, a natural wine bar and bistrot in the old part of Turin, during the Slow Food event back in October last year.

This visit was just for pleasure and no business, but we were blah-blah-blah all day anyway, again about natural wines, additives, ingredient labelling, etc, etc. Mario is a collector/drinker of old vintage wines, and he brought me this as a present:

Vintage Barbaresco 1971
He has more of the same at home and he says that it will be perfectly drinkable. Probably. They say you never can tell with such old wine. I'm starting to take an interest in old vintages, both for the taste and for the collection thing. If only I had more time! :)

Here we are in the Garnacha vineyard in El Tiemblo, Sierra de Gredos:

Fabius et Marius in vinea stant
 And here I am, extracting some Albillo 2014 to taste:

Extracting a sample of Albillo 2104
I really must come up with some other method of taking samples!

Actually, there was a third recent visit - by by Nacho Bueno, but he has his own blog (here) so he can write about it himself! :)




Thursday, 5 March 2015

How on earth did I manage to achieve all that?

It's been a long time since my last post, and such a lot has lot has happened; so much in fact that I haven't had any time to write any posts on this blog!

That's probably a good thing though, all things considered, as after all, my 'core activities' (as it were) are growing grapes, making wine, and marketing and selling said wine; not writing a blog.  On the other hand though, one could consider writing this blog as part of my marketing!  I suppose it is, really, even though I like doing it just for its own sake.

There's a lot of information in this blog (especially in the "Pages" above), and I get a lot of good feedback about it from many different sources; so I guess I must be doing something right.

So like I said, I've been busy, busy, busy. But in a good sense, not all stressed out and running around madly constantly doing stuff. Like last year!

So here's a quick summary of what I've managed to achieve recently:

1. The pruning. Incredibly I'm on schedule! Usually, if I remember rightly, I'm always running late, some years really, really late, and other years just late! But this year is perfect, so far (touching wood here!). Carabaña (field blend of Airén and Tempranillo) is done; Villarejo (Malvar) is done; my low altitude Garnacha plot in El Tiemblo (Sierra de Gredos) is just under half done, and my high altitude Garnacha plot (also El Tiemblo) is the last one to be started on, in a few weeks.

My half-pruned low-altitude Garnacha vineyard (El Tiemblo, Sierra de Gredos)
2. Bottling. Again, much better than last year, when I had to bottle up madly during the summer to free up tanks before the harvest. This year, I'm about half done already. I just have to bottle up the Airén 14, Doré 14,  Albillo 14 (from an amphora which will be very time-consuming), the Sauv blanc 14 (ditto), and just 1 more barrica of Garnacha.

Bottling up
3. I started beautifying the patio, and preparing a plot of ground to plant some vegetables in.

My rather messy looking patio at the bodega
4. I bought 200 vines to plant in the empty spaces in my Carabaña vineyard (Tempranillo variety, grafted onto Paulsen 1103 rootstock) which I hope to do in April, depending on the temperature and weather

5. I managed to source and buy 2 kg of organic beeswax, so I can line that new baby amphora that I bought on the spur of the moment a few months ago!

6. I prepared and delivered several nice orders (Thierry Puzelat (France), Restaurante Montía (El Escorial), Restaurante Los Asturianos (Madrid), Le Petit Bistrot (Madrid), CienPorCien Natural (Cádiz), Restaurante Bodeguita de Pilar (El Tiemblo), a CSA type group in the mountain village of Bustarviejo)

Boxes, having been prepared, ready to receive bottles of wine, having been corked and labeled
7. Sent off samples to people who were interested in tasting my wines: Barcelona, Vienna, London, Avila, Grenada, Madrid (being discrete here, no names!)

8. Organized some tastings in my bodega with possible importers/buyers (Australia, Norway, Barcelona) and with other people (not possible buyers) who just came to taste because they wanted to (Japan, Boston, Portugal/Belgium, Madrid) (being discrete again here, no names!)

Doing a bit of tasting in the bodega
9. Did a presentation/tasting of my wines in the Petit Bistrot (Madrid) (see this previous post)

10. Went to a Slow Food / Slow Wine event in Zaragoza, to pour my wines, and managed to find a distributor for Aragón, one Carlos Scholderle, #winelover ambassador to Spain. (This two-day event deserves a whole post to itself!)

My table at the Slow Wine tasting, Zaragoza (Aragón)
11. And am in the process of calmly updating the paperwork/redtape/bureaucracy that has to be done if you want to have a legal wine business. Instead of madly doing it the day before the deadlines!

12. And all the while working at my day-job!

 Not bad, eh?  Another new year's resolution was to write down all the things I manage to achieve, which I've been doing. This makes you feel good about your life! Before, I just had the to-do list, which is of course never-ending, but it seemed that I wasn't achieving anything. In fact I was, but I just didn't realize it!!!

Anyway, I hope that wasn't too boring to read through. But it just goes to show that winemaking is not just about being mystical in the vineyard and getting to taste some really interesting wines at tastings! Though of course I love those occasions too, when they occur! There's lots and lots of rather mundane stuff that has to be done, but which is not really photogenic or interesting to write about!

So I think I'll just post this now, without any further ado, and maybe get round to writing some more specific posts next week (or at least before the end of March!)

PS. Just to say that I'll be off to Paris, France this weekend: see here. It's a tasting organized by Thierry Puzelat of all his 'natural wine' producers that he imports into France.

PPS. And also just to say that on Friday 13th, I'll be presenting my wines at Enoteca Barolo (Madrid). 


 
Creative Commons License
This work is licensed under a Creative Commons Attribution-Share Alike 3.0 Unported License.